Popular Orientalism(s) #2: Sonic Alterity – Race, Orientalism and Popular Music
The second part of Norient's dossier Popular Orientalism(s) extends Edward W. Saids discourse on the appropriation of the Orient by white musicians such as Dschingis Khan, German language R&B, Lady...
View ArticleA Crash Course in Disco Polo #2: History
It is importation to which disco polo, Poland’s domestic electronic dance music genre, owes most of its sound. It was the political system flip of 1989 that shaped its troubled fate within Polish...
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